Killers of the Flower Moon is not only a landmark film for Scorsese as a filmmaker but also tells the story of a horrific time in American history, surrounded in shame and regret.

If you like the French, the death of sex offenders, black-and-white throwback scenes, and subtle manipulation then Mon Crime is the film for you. 

Serviceable but not particularly functional, Five Nights at Freddy's is a horror film that's as clunky and awkward as the lumbering animal robots it revolves around.

For those of you who are pro lesbian rights and pro lesbian wrongs, The Origin of Evil is the perfect Friday night French flick with all the lesbians, major plot twists, and tea you need!

While Twin Peaks: Fire Walk with Me is not the most audience (or even fan) friendly experience around, it's a devastating look at a life cut short.

Despite some initial promise, The Exorcist: Believer is a half-hearted attempt at best, and complacent with mediocrity at worst.

Blue Beetle is peak escapism and enjoyment, setting an interesting tone for where James Gunn and Peter Safran take the DC universe next.

From the producers behind The Worst Person In the World, comes one of the best features in the world… about the ACTUAL worst person in the world.

Few things in cinema are as certain as the Liam Neeson action movies released at least once or twice a year for the past decade and a half.

The 2023 Winner of the Online Film Critics Society Awards for the Best Non-U.S. Release, it’s clear that Everybody Loves Jeanne is winning hearts around the world!

Overall, It Lives Inside illustrates itself to be a unique conceptual endeavour which struggles under the weight of its own potential. Although somewhat competent in facets of its execution, it ultimately sabotages its potency and settles upon a derivatively restrained final product which unfortunately struggles to leave a lasting impression.

Kenneth Branagh has given audiences a mixed bag with A Haunting in Venice. The film offers nothing new in terms of mystery or thrills, and wastes it’s strong ensemble cast, which is the real disappointment.

It’s Raining in the House explores the story of two Belgian teenagers who live in poverty, as they navigate the summer with an absent mother and a proclivity for getting themselves into trouble.

Offbeat, endearing, and at times, soul-crushing, Charlotte Regan’s feature debut Scrapper poignantly weaves tangerine-tinged whimsy into a tale of reconciliation, effortlessly bearing the weight of immeasurable loss with a touching irreverence.

Can truth reveal itself in Perfect Days? Or is it a beautiful simulacrum, contemporary Japan through the gaze of the international film market?

While The Nun II isn't exactly breathing new life into the genre, horror fans should find themselves satisfied, offering a course correction after the first entry underwhelmed.

Insightful, hilarious yet emotional, director Ili Baré leads the audience through a surprising journey behind one of the world’s most viewed sports competitions, The Australian Open. 

Teenage Mutant Ninja Turtles: Mutant Mayhem is made with passion and love for the franchise, offering a familiar but modern perspective about a group of kids who just want to fit in and throw ninja stars.

Gentle, funny, and incredibly vulnerable, Ally Pankiw’s I Used To Be Funny is an unflinching look at the complexities and inconsistencies that accompany trauma recovery.

Continuing the stylistic trend of Johnson’s previous work, especially his sci-fi mockumentary Operation Avalanche, at times BlackBerry feels like a documentary, which suits the true story it’s based on very well.