Gripping through its lack of elaboration and enhanced by its creative solutions to keep the show afloat and on track, this one is great for a night of new experiences and audience participation.

This performance was something wholly unique, and beyond what can be provided in a cinema or on a streaming service.

The engine that is entirely driving this show is simply the desire to show off one’s most true self. It just so happens that this radical act of vulnerability is also set against an iconic Britney mega-mix. Run, don’t walk.

CLUB NITE showcases a night out where the three friends, a straight girl, a drug-dealing pansexual and a Berlin-loving bisexual, who all want to attend three separate well-known Melbourne hotspots - Yah Yahs, a house party, and a rave at Yarra bend.

Phantasmagoria is a story of untreated grief and trauma, and the attempts we continually make to ‘place’ these feelings within ourselves. 

Award-winning playwright Flick’s debut full-length play SLUTNIK™ explores a group of lesbian space cannibals, and if that three-word description doesn’t sell this play, I don’t know what will.

JESUS lived, Jesus Died, and Jesus has been resurrected again at Theatreworks. Not in a typical patriarchal way but a completely reimagined production with Jesus represented and played by a transgender woman.

This new work by writer/performer Ellen Grimshaw, We’re Probably Really Really Happy Right Now is a raucous, delightfully heightened piece of theatre that tears open the facades and toxicities we’ve all come to accept in our daily life.