A star-studded cast, 1920s decor, bursts of comedy, and a film noir-inspired story come together to make David O. Russell’s new film an enjoyable romp that should be seen on the big screen.

It is practically impossible to disentangle Olivia Wilde’s mystery thriller Don’t Worry Darling from its accompanying, and rather shocking tidal wave of controversy and exposures.

Like any great whodunnit, See How They Run is about the investigation rather than the reveal. And with two loveable investigators, a bunch of effortless jokes, and some engaging visual storytelling, it makes for a killer night at the theatre.

Director Scott Mann creates some dizzying heights, but fails to lay the groundwork necessary for its committed actresses to really plant their feet on, resulting in a flick that's fun to gawk at for a while, but ultimately tires itself out trying to keep pace.

Belli Ciao isn’t the most high-brow of satires, and in some parts the laughs are a bit sparse, but there are a couple of genuine ones for sure.

Considering the film's lofty, existential ambitions, You Won't Be Alone ends up a surprisingly resounding success, thanks in no small part to adept direction and incredible performances from the cast all round.

Happy Disney+ Day.

While its visual and budgetary limitations may mean I can't exactly say Orphan: First Kill is a must-see on the big screen, it is well worth checking out for anyone who even mildly enjoyed the first movie.

Straight Line Crazy was rotten, in a thoroughly enjoyable way.

Is Franklin a documentary for climate warriors? Nature enthusiasts? Lovers of Australian history? Soul searchers? Who can say for sure - but I’m sure viewers will each find their own most pressing meaning in it.

Bodies Bodies Bodies should be referred to as the golden standard for films in the future wanting to strike the perfect balance of social commentary and top tier comedy.

Three Thousand Years of Longing is gearing to be one of the best films of the year in a sensual, lovely, fantastical, and provocative story, with a cast and crew at the top of their game.

Dome House Six scared me for the first time in a long time, and I didn’t even realise I was terrified until I felt the sweat built across my forehead.

Bold and breathtaking in its awe-inspiring images of nature at its most fierce, Fire of Love does what any great nature doco should - not just fascinate, but entertain.

Pain is gone. Surgery is the new sex. Body is reality.

The Green Woman meanders through a story of relationship problems and addiction, asking its audience to put the visual and storytelling problems aside for a third-act reveal.

How far can you take the idea of a talking shell who wears shoes and stands one inch off the ground? Well, with the help of many celebrity cameos, dozens of viral videos, and a documentary maker with too much time on his hands, apparently there’s no limit. 

While there's a case to be made for its occasional pops of glitter and gore, Sissy ends up firmly in the realm of meh-core, a film that isn't offensively bad but is somewhat of a chore because of its close proximity to mediocrity - a horror movie that, like the title might suggest, is scared of its own identity.

Unique challenges face us all in trying to achieve self-discovery, but for Blaze it’s a little more tumultuous than what you’d expect. 

While Decision to Leave might not be Park Chan-wook’s best, it is still an original mystery by a world-class artist at the top of his game.