In an earnest love note to the LGBTQIA+, Bros ushers in an ambitious standard for bigscreen queerdom with some grounded perspectives, sweetspot cultural references and an all queer cast and crew.

At its most essential, the film is a story of a young Jewish boy who befriends a Black boy, and the confusing strata of privilege and injustices that come to define his place in late-20th-Century America.

The real achievement of this ripping action flick, bless its existence, is its characters and themes: there’s a full meal here, and all of it is delicious.

Who are we, the audience, to deny the wishes of such a charismatic hunk of a star, with such incredible eyebrow posture? Grab your tickets folks, 'cos the Dwayne train is about to leave the station.

Barbarian is a wild ride full of twists and turns, sure to light a fire under the butt of hardened horror fans and would-be screenwriters alike.

While the plot is largely predictable, following the tropes and clichés of dozens of films before it, Cudi’s presence firmly sells this product as something of his own.

Whether The Way of Water sinks or swims come its release in December, I remain an apologist for the original Avatar.

A star-studded cast, 1920s decor, bursts of comedy, and a film noir-inspired story come together to make David O. Russell’s new film an enjoyable romp that should be seen on the big screen.

It is practically impossible to disentangle Olivia Wilde’s mystery thriller Don’t Worry Darling from its accompanying, and rather shocking tidal wave of controversy and exposures.

Like any great whodunnit, See How They Run is about the investigation rather than the reveal. And with two loveable investigators, a bunch of effortless jokes, and some engaging visual storytelling, it makes for a killer night at the theatre.

Director Scott Mann creates some dizzying heights, but fails to lay the groundwork necessary for its committed actresses to really plant their feet on, resulting in a flick that's fun to gawk at for a while, but ultimately tires itself out trying to keep pace.

Happy Disney+ Day.

If you like nu-metal rock and are inclined towards brutal on-screen kills, you should grab some popcorn and a pop-top because this flick might just be up your alley.

While its visual and budgetary limitations may mean I can't exactly say Orphan: First Kill is a must-see on the big screen, it is well worth checking out for anyone who even mildly enjoyed the first movie.

Bodies Bodies Bodies should be referred to as the golden standard for films in the future wanting to strike the perfect balance of social commentary and top tier comedy.

Nobody seems to know who Mona is, why she has these powers, or where she came from.

Three Thousand Years of Longing is gearing to be one of the best films of the year in a sensual, lovely, fantastical, and provocative story, with a cast and crew at the top of their game.

Is nostalgia bad? LandLocked’s narrative enterprise seems to be based around an impression of nostalgia as a destructive force that, in the movie’s world, is the primary antithesis of change or progress.

How far can you take the idea of a talking shell who wears shoes and stands one inch off the ground? Well, with the help of many celebrity cameos, dozens of viral videos, and a documentary maker with too much time on his hands, apparently there’s no limit. 

Karam has crafted something that speaks not just to every millennial who's had to justify to their parents why they chose to live in a crappy city apartment, but also to the innate curiosity, awkwardness, and disappointment that comes from trying to understand and relate to the innate workings of our fellow human beings.