This film, meditative and delicate in its portrayal of two queer men in a muslim country, is important for people being pushed to the margins by ideology that is outdated and homophobic and is therefore an important moment in African cinema, not to be missed.

With gut-wrenching violence and disruptive themes, and its critique of gender roles and cultural norms in Japan, cinephiles and fans of the more gruesome side of life ought to catch this slow-burning, thought-provoking thriller.

EO is a bold and bray-ve exploration of modern Europe through the eyes of a circus donkey who embarks on a long and lonely journey.

Beau Is Afraid is far from a perfect cinema-going experience, but it's nevertheless a fascinating and original one.

A Good Person is a soundly crafted story of grief, addiction, forgiveness and acceptance, helmed by Florence Pugh who gives (yet another) extremely focused and moving performance.

Where weirdness can often lose out in action films, the chaos, vibrancy, and fast-pace of Polite Society breathes new life into the genre, and serves as an excellent tone setter for what the rest of FFFA 2023 has to offer.

I felt like I was losing my mamma mia-mind.

While The Pope's Exorcist won't be everyone's cup of tea, for horror fans willing to drop their guard a little bit and embrace a film that's more silly than scary, it's just good, dumb fun.

A true testament to the belief in one’s talent and potential, AIR celebrates the story of how some commonly unknown underdogs saw something in someone that led to one of the biggest and most profitable sportswear partnerships of all time – and it is an endlessly entertaining and enjoyable watch to boot.

Beaten to Death is an uncompromising and particularly nasty slice of Ozploitation that mostly delivers on the bluntness of its title, with a few neat cinematic tricks up its sleeve.

The Outwaters is a found-footage horror film that takes the genre to new extremes of experimentation.

Lee Cronin's latest stab Evil Dead Rise carves out new horizons for the horror franchise, while still boasting enough of the strengths of what came before.

Who knew a story about a video game where bricks fall from the sky could be so interesting?

Zillion tells the story of the exhilarating rise and fall of visionary entrepreneur Frank Verstraeten, the man responsible for creating and owning – for a time – Belgium’s most chaotically electric nightclub.

Story comes second and spectacle takes centre stage in The Super Mario Bros. Movie.

Quantum Cowboys is a bold expedition into the Wild West, the mind-boggling multiverse, and the very capacity and parameters of the cinematic form itself.

Like its predecessors, Chapter 4 indulges in its extravagance unapologetically and gives us some of the best action scenes not only in the franchise, but in cinema as a whole.

Fantastic Film Festival Australia is back in town, promising cinema without restraints.

We've gotten particularly nasty Ghostfaces two years in a row, but since their creator's passing, the actual films seem trapped in a creative rut, doomed to sacrifice the slick edge that the series was once celebrated for in service of broad appeal.

If you’re a fan of Pearl’s previous instalment X and expect it to have the same gritty, slasher, exploitation elements to the story, then you may have to limit your expectations for this film.