The Fall Guy is the rare blockbuster studio film that feels simultaneously old school and fresh in execution. It is incredibly funny, fast-paced and deeply romantic. At its core, however, the film is a love letter to the stunt community and the incredible work they do to entertain audiences.

Making sure to cater to both returning fans and new fans alike Code: White is by no means a perfect movie, but for what it is, it remains exemplary of good old fashion family fun.

Fremont isn’t a thrilling film, and perhaps one that requires an eager mood, but you could scarcely imagine leaving the cinema without a sense of distinct peace. 

It’s a light summer breeze of a film clearly aimed to bring joy to both parents and kids whilst still telling a compelling story, so some kind of deep underlying metaphor is unnecessary. Just go have fun watching a cartoon dog and a robot roller-skate to Earth, Wind & Fire! Your brain deserves a break.

A patchwork quilt of genres, Alice Rohrwacher’s La Chimera is a grimy and charismatic fairytale, and Josh O’Connor is its beating heart. 

As it is, Kung Fu Panda 4 is a worthy sequel and enjoyable film, even if it doesn’t quite live up to its potential.

This is a fun movie. Longtime fans will probably love Ghostbusters: Frozen Empire the most, but at the end of the day, it won’t grab the imagination of any new audiences.

Watch out Cullens, there's a new vampire family in town! Fans of Twilight (2008), Dark Shadows (2012), Submarine (2010), and Moonrise Kingdom (2012), get your fangs out and sink your teeth into this quirky vampire coming-of-age film.

Beginning with Lillian (Talia Ryder) embarking on a class trip to Washington DC, before a Pizzagate-like violent outburst from a young man […] interrupts her night, sending her down an almost literal rabbithole.

Everyone always asks who is Argylle, but they never ask how is Argylle? Kind of disappointing, if I'm being honest.

World cinema can bring us a film like this: a tiny love story, from a country you may never visit, dressed up like an anti-capitalist screed.

The Holdovers provides us with an inarguable Christmas Movie – despite its quintessentially-too-late Australian release date – that feels ready to be an instant classic.

Liberating in all the right ways, Poor Things is a heartwarming oddball of a film, matching the gorgeous with the grotesque, showing that even in life's most dire circumstances there is still so much joy to be found.

Migration is not trying to elevate the road trip comedy or be innovative for animation. Its goal is to entertain families and make kids smile. Movies need to do that more.

Insightful, fiendishly hysterical, and (albeit slightly overwhelmingly) emblematic, Dream Scenario is a surrealist delirium that moulds one of 2023’s most inventive premises into a deeply moving, melancholic parable on the perks and perils of sudden celebrity.

Campy, comical, and twisted, Bottoms is an all-American teenage wet dream dripping in homoerotic high school fantasies. You’ll definitely be talking about this fight club!

Emerald Fennell’s Saltburn is a frighteningly delicious and decadent dessert, one that you immediately regret eating, but cannot get off your mind no matter how hard you try.

If you like the French, the death of sex offenders, black-and-white throwback scenes, and subtle manipulation then Mon Crime is the film for you. 

From the producers behind The Worst Person In the World, comes one of the best features in the world… about the ACTUAL worst person in the world.

The 2023 Winner of the Online Film Critics Society Awards for the Best Non-U.S. Release, it’s clear that Everybody Loves Jeanne is winning hearts around the world!