Oh, Canada tries to be profound and contemplative, but disappointingly, is not as deep or compelling as it thinks it is. 

In an era of ever-increasing shake-ups in the animation world, it’s no wonder the best animated feature film of the past year was made by a small team of Latvian filmmakers in Blender.

For all of the hysteria that has surrounded this adaptation, when I watched this in a preview screening surrounded by cheering girls in Snow White costumes, it was hard to remember why people were convinced of the insidiousness of this film in the first place. 

If you’re looking for a bit of lighthearted fun, One of Them Days is one release you won’t want to miss!

Steven Soderbergh continues his prolific ‘post-retirement’ run with Black Bag, a tightly-wound spy thriller that is as cleverly composed as it is devilishly paranoid.

While it most likely won’t be regarded as a mobster classic when compared to some of Scorsese’s other masterpieces it is trying to channel, The Alto Knights is still a well-enough-made film that fans of the mobster genre will be able to glean some enjoyment from the feature.

My Melbourne is the people we all know: our friends, our family, our neighbours, our coworkers, our bosses, our classmates, the people on our tram rides in the morning, and the people we talk to on a night out.

Dahomey is a compelling narrative that underscores the legacy of a colonial past onto the present while demonstrating hope for a future shaped by the Beninese people.

Hard Truths is a masterclass in great writing and acting, and despite a shaky ending, still packs a huge punch.

Rasoulof brings the audience directly into Tehran - this film will most likely be the closest thing we’ll ever have to see into the lives of those who have been oppressed in Iran.

While I’m Still Here is quite simple in terms of filmmaking, it is elevated by its incredible performances, storytelling and authentic portrayal of the time period.

The Monkey is a weird and fundamentally unserious, yet somehow still kind of moving experience. The end result is an absolutely fantastic time at the movies, a testament to taking wild career swings and giving the audience the maximum bang for their buck in terms of entertainment value.

Bridget Jones: Mad About the Boy is a tale bound to resonate with every woman’s experiences.

Inside is a well-directed debut feature that is unforgiving, and filled with stand out moments from the whole cast.

The Last Showgirl is a reflection on how the end is just the beginning, and the whimsy of girlhood can persevere into womanhood.

Having already won the New Directors Award at the San Sebastián International Film Festival, Baumgartner has proved himself a deeply talented auteur to watch, reminding audiences of the fierce talent that Switzerland has to behold.

What is art without family? Although providing no concrete answer, Arens does tell us that life is worth creating, and creativity comes from those around us.

Bird is a visceral coming-of-age tale that soars thanks to its naturalistic approach to both performances and on-screen craft. 

Heart Eyes is certainly a commendable addition to the horror-comedy genre, offering a refreshing take on the slasher formula without reinventing the wheel.

Stephen Soderbergh […], makes a return to experimental filmmaking with Presence: a modernised ghost story serving as a deliberate subversion of the genre itself.