The Code is an earnestly off-kilter, free-wheeling journey down the rabbit hole.

Ultimately, Frankenhooker is the kind of film that refuses to be ignored. It’s loud, garish, and unapologetically grotesque, yet like its oddball protagonist, it manages to be weirdly endearing, despite the rampant sex and violence […]

It's clear the Philippou brothers have crafted a horror experience that doesn’t just scare - it leaves wounds. If Talk to Me was a party, Bring Her Back is a funeral. Leave the flowers at home.

Low on budget but high on ambition, BUM represents the exact type of cinema I wish I was exposed to more in high school, the kind of art that makes you realise just how few roadblocks might actually be between your concepts and the actual execution of your first feature film.

Ultimately, this modern update of Lilo & Stitch is a film that coasts on nostalgia.

For those looking for horror cinema that mostly leans on the goofy side while also delivering on some serious gore, Final Destination: Bloodlines is just what the coroner ordered.

Clornfield knows exactly what it is and isn't self conscious about it, playing out like an R-rated episode of Scooby Doo, complete with some lean and mean kills […]

Monkey’s Magic Merry Go Round is an audacious leap into analogue horror that skilfully marries the nostalgic charm of children’s television with a creeping, unsettling dread and forebodingly surreal stylistic turns.

Tall Tales might not be as grandiose as its title would suggest, but the real scale lies in its ambition.

Fantastic Film Festival Australia (FFFA) is back for its 2025 programming, and cinephiles with a taste for the experimental, esoteric, and independent, brace yourselves!

At a brisk 95 minutes, Drop is the kind of taut, grown-up genre film that feels increasingly rare.

Escape from Heck Island is a raucous time and shows just how assured Coutis is in his wheelhouse of deadpan absurdism, doped up with self-aware cheese and bizarro references to Aussie pop culture.

James Ashcroft’s The Rule of Jenny Pen is a slow-burn psychological horror that trades in gore for something far more insidious - helplessness.

The Monkey is a weird and fundamentally unserious, yet somehow still kind of moving experience. The end result is an absolutely fantastic time at the movies, a testament to taking wild career swings and giving the audience the maximum bang for their buck in terms of entertainment value.

Heart Eyes is certainly a commendable addition to the horror-comedy genre, offering a refreshing take on the slasher formula without reinventing the wheel.

As far as January horror movies go, you could do worse, but howling about Wolf Man, you will not be.

As I watched Kraven the Hunter, I couldn't help but reflect on my experience with the Sony universe on the whole. Is it really possible that this was ever going to work?

It's passionate, isolating, creepy, and more than a little sexy.

Rumours is worth commending for its sheer gaul, but ultimately, it's biting off far more than it can chew.

Heretic is a film of two clashing identities. One is a simmering rumination on the evolution of modern day spirituality, and the other is a relatively by-the-numbers basement chiller.