Funny Pages screams new-age Funny People to me – and that’s a big compliment in my books. 

Music about feeling yourself in spite of any hater, where dance tracks and love songs fly high and hit hard, never faltering on the landing.

Much like Jordan Peele’s first two instalments, Get Out and Us, his new flying-saucer-mystery Nope is anything but predictable.

Free Bobby! What, he’s out? Ok… Bump Bobby!

Absurdly and disgustingly hilarious.

A weirdo nightmare comedy going at exactly 2 horsepower (because it features two horses). 

This short goes for more of a sensory experience than a straightforward story.

Subtly satisfying and serenely unsettling.

You’ll likely not want to eat sushi again (or at least not for a while) after watching this.

Gripping through its lack of elaboration and enhanced by its creative solutions to keep the show afloat and on track, this one is great for a night of new experiences and audience participation.

Looking at the poster for Bullet Train is a testament to the sheer amount of content and attention to detail that you’re going to find when you sit down for this one, which you should do at your earliest convenience.

Largely free of overt fan service or nostalgia-baiting, Prey is the rare modern prequel that dares to use its framework to propel the series in new directions, widening the universe without overcrowding it with familiar characters or obnoxiously hinting at an immediate sequel.

Something in the Dirt offers up a bounty of intriguing morsels, and to witness filmmakers attempt so much with so little is inspiring in its own right.

This is a film for anyone that has ever wanted to look behind the curtain, and find out how the wizard’s magic machine might work. 

Above all else, Good Luck to You, Leo Grande is a film with lots of heart, which can be quite refreshing amidst a sea of blockbusters, CGI and big sound design.

Well, this one will do well at parties, presentations or generally just any television that entertains the passive attention of passers-by. The United States of America is certainly not what I expected, although it is exactly what the title promises. 

This film, whilst deeply devastating and distressing, needs to be watched and watched again.

How do you review a movie that has a complete tonal shift about halfway through without invalidating the impact of the entire first half?

On the Count of Three isn’t your parents' anarchy flick - this is certainly no Ferris Bueller.

This performance was something wholly unique, and beyond what can be provided in a cinema or on a streaming service.