In Review
Welcome to In Review! Check out the latest reviews across film, TV, theatre and so much more…
Film Reviews
What’s most impressive about The Odyssey isn’t its scale - it’s that the bigger Nolan’s filmmaking gets, the more human it becomes.
This is the tension through which Jackass is at its most thematically resonant: the belief that their careers as stuntmen could end at any moment, one way or another.
If you’re looking for answers, Mungiu and his film don’t have them, just the questions. It’s up to you to decide how you want to answer them.
Ultimately, Saccharine will be remembered for its horrifically macabre and unnatural imagery, but perhaps not for long due to the script’s shortcomings.
Charting the collision between academia and spirituality over the course of 100 years, Hungarian auteur Ildikó Enyedi’s Silent Friend is an enthralling study of both scientific and personal discovery.
It would have been logical for Robinson to leverage his Hollywood connections and his talent for incendiary imagery into a provocative, starry filmmaking debut. But First Light, his first feature as writer and director, is a determinedly minimalistic effort.
Supergirl still manages to soar high enough to keep faith instilled in Gunn’s new universe. If the studio keeps heading in this direction, it appears there is a lot to look forward to for comic book fans.
The Invite is a different kind of lewd comedy, there’s no nudity or a truly explicit love scene. Rather, it discusses the lewd, how different couples are sexually. It’ll make you think about your own neighbours; what are they really like behind those closed doors? If they’re anything like Hawk and Pína, you may just want to invite them over for your own dinner party if you’re open-minded enough.
Toy Story 5 is a fantastic ride and great addition to the franchise. It’s a significant improvement over the fourth entry, matches some of the highs of the original three films and is definitely worth checking out in cinemas.
The Captive may not do enough to earn classic status, but Amenábar does deliver a highly entertaining, contained adventure with solid pacing, compelling characters, and an engaging plot. Some may have a problem with its liberal recounting of history, but if met on its own terms, it is sure to captivate.
Yeon Sang-ho’s Colony is a run-of-the-mill zombie film with an interesting premise that is held back by its uninteresting plot, characters, and cinematography.
Buffet Infinity is a truly incredible film that has no right to work as well as it does, and I can quickly see this becoming a cult classic among stoners and midnight madness crowds with a hunger for something truly out of this world.
Masters of the Universe is perfect for old and new audiences alike. There’s enough nostalgia to keep those who grew up with the show happy, but the film’s unabashed wit, heart and visual splendour will charm a whole new generation too.
The Christophers does not have a sexy Hollywood sales angle – it’s an art forgery film, after all – but it’s further proof that we’re yet to get a clear sign there’s anything that Steven Soderbergh can’t pull off.
Representing a big step up not only in terms of its theatrical release, but also in Barker’s command of filmmaking as a visual medium, Obsession boldly stakes its claim as a true modern genre masterpiece.
As expected, it was just as poetic and articulate as you would expect from a film narrating the life of Franz Kafka.
John Carney’s Power Ballad (2026) is a heartwarming yet unremarkable musical comedy that misses a lot of notes.
The film is a must watch for fans of the surreal and the strange, and a must skip for fans of the French monarchy.
Features
Cochrane has created something very affirming with The Language of Light. Tracking an artist's progression in this documentarian manner works wonders in seeing the motivation and often radical protest that goes into art.
Despite the Thylacine’s officially declared status as extinct, sightings and alleged evidence of surviving examples persist. Neil Waters, through his 'Thylacine Awareness Group of Australia', has been on a mission to prove to the world that the Thylacine survives. I spoke with Jonathon Buckland, who has directed the feature-length documentary Eyes Like Diamonds, all about Neil’s efforts.
Fantastic Film Festival Australia is once again descending upon Melbourne and Sydney like a beautifully cinematic meteor, and honestly, what a privilege it is to stand directly in its blast radius.
Fantastic Film Festival Australia (FFFA) is back for its 2025 programming, and cinephiles with a taste for the experimental, esoteric, and independent, brace yourselves!
Much like Godzilla’s messy and complicated birth as a concept and popular culture figure, I too feel as though I’ve come out of this experience a strange creature. It’s something I won’t soon forget.
Fans of bizarre, esoteric and extreme films, who live around Melbourne and Sydney can rejoice, because it's that time of year - Fantastic Film Festival Australia is back once again.
Melbourne International Film Festival has officially wrapped up, having boasted its 71st edition. After weeks of browsing through the program, swapping sessions, making and re-making calendars, and watching screeners, Eli Robinson would like to think he has a decent handle on some pretty cool short films.
Fantastic Film Festival Australia is back in town, promising cinema without restraints.
Come one, come all! Readers rejoice for it is time to kill two birds with one stone as we rest our weary heads atop the mountains of education and entertainment. If you don’t know what you want to watch at the Melbourne Documentary Film Festival yet, please allow me to fill up your whole month with my personal 15 picks for knowledge worth gaining.
Wanting to dip your toes into arthouse cinema, or are you a seasoned veteran looking for something that's out of this world bonkers? Look no further, because from April 21st until May 6th, Fantastic Film Festival Australia is back in town, and it's as bold and beautiful as ever.
When I considered writing a review for Tiger King, I thought, you beauty, another opportunity to laugh at Americans. I never expected I’d end up writing this review through a feminist lens…
In Review’s Youssef Saudie chats with DJ Jazzy Jeff at his one-night show at the Night Cat in Melbourne.
let’s delve into the renowned Disney Castle and examine these ‘live-action’ remake films and whether they do in fact, breathe new life after all.
Let’s turn back time and examine the winners, complexions and perplexions of the 2019 ceremony and filming year…
By Nick Angus. Four films made, four stars born…
Brunswick Underground Film Fest 2025 Review - The Lost Sex Films of King’s Cross
The restoration of Charis and George Schwarz’s work is a wonderful reclamation of a peculiar piece of Australian cinematic history.
MIFF 2024 Shorts Review - Accelerator Shorts 2
The MIFF Accelerator Shorts 2 program included a staggering variety of films, all unique in terms of style and theme, but bound by a shared examination of escape, identity, and societal constraints. The diverse selection presented an invaluable insight into the potential of short films to communicate meaningful stories in a matter of minutes.
MIFF 2023 Shorts Review - Auteurs Abridged
Overall it was a great time seeing all these short films, and even if the films themselves weren’t always entertaining, witnessing the audience’s reactions absolutely made up for that.
MIFF 2023 - Best of Shorts
Melbourne International Film Festival has officially wrapped up, having boasted its 71st edition. After weeks of browsing through the program, swapping sessions, making and re-making calendars, and watching screeners, Eli Robinson would like to think he has a decent handle on some pretty cool short films.
MIFF 2023 Shorts Review - Accelerator Shorts 2
The Accelerator Shorts 2 Package screened as part of the Melbourne International Film Festival.
MIFF 2023 Short Review - We Used to Own Houses
David Robinson-Smith, director of Mud Crab (MIFF 2022), returns to MIFF 2023 with We Used To Own Houses, an explosive cine-poem about the housing crisis.
Short Film Review - 2023 Oscar Nominated Short Films (Animated)
Another stellar line-up of the most imaginative pieces of art and cinema has to offer!
MIFF 2022 Short Film Review - Phlegm
Absurdly and disgustingly hilarious.
MIFF 2022 Short Film Review - Horse Brothers
A weirdo nightmare comedy going at exactly 2 horsepower (because it features two horses).
MIFF 2022 Short Film Review - Creature
This short goes for more of a sensory experience than a straightforward story.
MIFF 2022 Short Film Review - Anxious Body
Subtly satisfying and serenely unsettling.
MIFF 2022 Short Film Review - Sushi Noh
You’ll likely not want to eat sushi again (or at least not for a while) after watching this.
MIFF 2022 Short Film Review - Ampangabagat Nin Talakba Ha Likol (It's Raining Frogs Outside)
Rain frogs it did!
MIFF 2022 Short Film Review - Nowhere to Go but Everywhere
Nowhere to Go... asks us to dive in and look closer.
MIFF 2022 Short Film Review - Anyám macskája (Mom’s Cat)
I wish life was as simple as it appears in Mom’s Cat, a world where you can really just be what you want to be.
MIFF 2022 Short Film Review - An Ostrich Told Me the World Is Fake and I Think I Believe It
Warning: you may or may not want to quit your office job after watching, I did within 5 minutes of the film’s end. Nothing is real.
Short Film Review: Tayamangajirri
Tayamangajirri is a half-hour documentary made-to-air on NITV. The film is set in the town of Wurrumiyanga on the Tiwi Islands and follows the adults who dedicate their lives to educating and keeping the local kids safe.
Nearly fifty years after his first sci-fi film, Steven Spielberg returns to his extraterrestrial roots with the alien blockbuster thriller of the year.