This isn’t just a nostalgia bait production, there are legitimately great performances, jokes and musical numbers in this one, well worth watching with friends.

Despite its pitfalls, Dangerous Animals still manages to thoroughly entertain for its full duration […]

Celine Song’s deliciously cynical sophomore film, Materialists, follows the stylish life of matchmaker Lucy (Dakota Johnson) on her search for substance, and ultimately love.

As with any spin-off, it’s difficult not to compare what you are watching to the original; needless to say, Ballerina embraces this challenge by continuing to change the form of what we know the world to be, innovating its tropes and style.

Austen In Therapy approaches Jane Austen’s iconic literary canon with a fresh, comedic interpretation.

Beating Hearts is a film of great indulgence, over saturating you with love, violence and earnestness, and asking for no more than an open heart and a not-so-critical mind.

Karate Kid: Legends is a mixed bag, but it’s enjoyable enough that it will still have audiences cheering by the time the credits roll, and kids begging their parents for karate lessons on the ride home.

Whilst certainly not as memorable as his previous works, The Phoenician Scheme still brings Anderson’s classic charm and style in spades. 

Love and Information is a production worthy of praise for the cast and crew. The standout performances and some interesting subject matter add up to a production worthy of consideration.

Despite being  100 years old (exactly), Strike remains highly watchable and important.

The restoration of Charis and George Schwarz’s work is a wonderful reclamation of a peculiar piece of Australian cinematic history.

The people of Palestine need more than words, what is depicted in From Ground Zero makes that abundantly clear.  

The Code is an earnestly off-kilter, free-wheeling journey down the rabbit hole.

Ultimately, Frankenhooker is the kind of film that refuses to be ignored. It’s loud, garish, and unapologetically grotesque, yet like its oddball protagonist, it manages to be weirdly endearing, despite the rampant sex and violence […]

It's clear the Philippou brothers have crafted a horror experience that doesn’t just scare - it leaves wounds. If Talk to Me was a party, Bring Her Back is a funeral. Leave the flowers at home.

Low on budget but high on ambition, BUM represents the exact type of cinema I wish I was exposed to more in high school, the kind of art that makes you realise just how few roadblocks might actually be between your concepts and the actual execution of your first feature film.

Ultimately, this modern update of Lilo & Stitch is a film that coasts on nostalgia.

The phrase gets thrown around a lot these days, but Mission: Impossible - The Final Reckoning really does demand to be seen on the biggest screen possible.

The Surfer’s dysphoric madness is purposeful, its structure disorienting, and its central performance unapologetically feral. But for those willing to paddle out into deeper, more turbulent waters, it truly stands as a mesmerising devolution into psychedelic bedlam.

For those looking for horror cinema that mostly leans on the goofy side while also delivering on some serious gore, Final Destination: Bloodlines is just what the coroner ordered.