The Christophers does not have a sexy Hollywood sales angle – it’s an art forgery film, after all – but it’s further proof that we’re yet to get a clear sign there’s anything that Steven Soderbergh can’t pull off.

John Carney’s Power Ballad (2026) is a heartwarming yet unremarkable musical comedy that misses a lot of notes.

Finding Emily definitely has the potential to become the next British romcom classic for the new generation. 

Flock to the cinema to see The Sheep Detectives. I’ll be baaack for more.

The Devil Wears Prada 2 is the perfect girls' night out movie.

Todd Solondz’ Happiness is an ensemble film set in New Jersey and driven by passionate yet disillusioned characters.

Fantastic Film Festival Australia is once again descending upon Melbourne and Sydney like a beautifully cinematic meteor, and honestly, what a privilege it is to stand directly in its blast radius.

Alphabet Lane is a hypnotic ode to isolation and the lengths that everyday Australians will go to just to feel normal again. 

Despite its flaws, The Deb is a very solid Aussie crowd pleaser that will hopefully reach more audiences as the years go on. 

For viewers who want a tight, thoughtful sci-fi horror mixture, Cold Storage will undoubtedly frustrate, but for those in the mood for messy, gory fun, its lead chemistry and gleeful commitment to splatter-comedy make it an entertaining - if imperfect - midnight snack for genre fans.

The Drama reminds viewers that they are not what they almost did, and to give each other a chance to start over.

The film being the winner of the Enrico Fulchignoni Award, an award given at the Venice Film Festival to films that best represent UNESCO values, is perhaps the best summation of what this film strives for.

Pillion bizarrely retrofits Adam Mars-Jones tragicomic novella Box Hill within the structure of a rom-com, defanging the complex sexual politics of the original text in favour of a highly marketable premise.

It’s a classic French studio comedy: glossy and taking full advantage of its setting, toothless while simultaneously somehow well-observed, and would certainly go down easy on a night out with a glass of wine.

In an era of horror films that strain for prestige, Send Help feels refreshingly unconcerned with respectability. It is messy, funny, cruel, and wholly entertaining.

Is This Thing On? ultimately finds its strength in the emotional nuance of its central relationship, anchored by convincing performances from Arnett and Dern.

No Other Choice, directed by Park Chan-wook (Oldboy, Decision to Leave), is another sharp entry in the filmmaker’s body of work, showcasing his distinctive visual style and darkly comedic sensibility.

Nouvelle Vague is Linklater’s answer to the credence that all directors must one day make a film about filmmaking. This is an absurd thing to believe.

Sweet but not saccharin, Rental Family (2025) is a solid feel good film despite its slightly confused final message.