No Other Choice, directed by Park Chan-wook (Oldboy, Decision to Leave), is another sharp entry in the filmmaker’s body of work, showcasing his distinctive visual style and darkly comedic sensibility.

Nouvelle Vague is Linklater’s answer to the credence that all directors must one day make a film about filmmaking. This is an absurd thing to believe.

Sweet but not saccharin, Rental Family (2025) is a solid feel good film despite its slightly confused final message.

Urchin isn’t concerned with a film-like “happy” conclusion to its character’s problems; it lets you marinate in the idea that things might not actually get better - and that was refreshing.

Don’t forget to do the #EllaMcCayChallenge if you see a poster or standee for this at whichever cinema you see it at!

Eternity is a must watch. It’s not just a great romantic comedy, but also one which has a perspective that almost none of its genre companions do.

If you love Shakira’s vocals, slow burn romances, justice, and films that encourage critical thinking, then Zootopia 2 is the film for you. 

Christmas Karma certainly isn’t boring, but not in the way you would want it to be.

If you’re into lighthearted WWI films, chorals, the beauty of Yorkshire, and Ralph Fiennes’s captivating performance then The Choral is the film for you. 

Where the first film offsets its crude side with a palpably warm heart, Goremageddon plays like a reunion tour that’s fun for the diehards, but very much has the air of desperation that comes with one final hurrah.

Bugonia refuses the safety of well-worn genre fare and instead thrives in its own damp moral fog.

The joy of Splitsville is in watching its craziness unfold with no indication of where it’s going next, and I hope every person's first experience with it is as exciting as mine.

Diamonds is about ambition, love and community. It celebrates the many hands that sew our lives together and work to create the art we pride ourselves on as a society. 

Sketch is a charming, chaotic blend of fantasy, gateway horror, and emotional earnestness - heartfelt and imaginative, leaving one with the sense that your own little creative scribbles might be worth keeping.

Pasa Faho, directed by Kalu Oji, is a much needed empathetic story of a father and son reconnecting across cultural divides. 

They say all is fair in love and war. But what happens when love is war? It’s Benedict Cumberbatch versus Olivia Colman in dark comedy The Roses.

Sorry, Baby is a story of someone trying to live their life as best they can.

Pavements is perhaps as interesting as its subject, which is to say they’re both easy-listening encapsulations of a mentality to artistry that I hope never goes away. 

it is a delight to see The Toxic Avenger uncut and in its full glory after two whole years sitting on the post-festival shelf, and if it also ends up getting more eyes on its ‘84 cousin, I'm all here for it.

This new The Naked Gun is something worth being grateful for.