As expected, it was just as poetic and articulate as you would expect from a film narrating the life of Franz Kafka. 

John Carney’s Power Ballad (2026) is a heartwarming yet unremarkable musical comedy that misses a lot of notes.

The film is a must watch for fans of the surreal and the strange, and a must skip for fans of the French monarchy.

A Private Life is notable as the foreign language film debut of Foster, but somewhat fails to leave a lasting impact, despite many promising elements. 

Pop Star Anne Hathaway is Haunted by a Slow Narrative…

Port of Shadows isn’t very cheerful, and it makes for poor escapist entertainment, but good work is important, never mind the subject.

Seisaku’s Wife is a must watch in theatres. Those who have the opportunity to experience it during Cinema Reborn’s upcoming screenings aren’t in for the most pleasant watch, but a nonetheless moving experience.

The Devil Wears Prada 2 is the perfect girls' night out movie.

Todd Solondz’ Happiness is an ensemble film set in New Jersey and driven by passionate yet disillusioned characters.

If you’re into Greek history, cultural identity, the politics of war, and hating the British, then Kapodistrias is the film for you. 

The biopic covering the first half of the King of Pop’s rise to superstardom offers electrifying concert performances, true to life actors, and not much else. 

The Stranger exists at the razor’s edge of complacency. Ostensibly revisionist and stylistic, but also perfectly content to operate within the already existing canon of the novel, not ever straying too far or getting too experimental in its approach. 

The Drama reminds viewers that they are not what they almost did, and to give each other a chance to start over.

The film being the winner of the Enrico Fulchignoni Award, an award given at the Venice Film Festival to films that best represent UNESCO values, is perhaps the best summation of what this film strives for.

Stephan Komandarev’s Made in EU (2025) shows the stark reality of a not-too-distant past.

Trifole is 100 minutes of genre-bending Italian heartache.

If you’re into folk culture, fake dating, stunning costume designs and Hungarian dance battles, then Hungarian Wedding is most definitely the film for you. 

Pillion bizarrely retrofits Adam Mars-Jones tragicomic novella Box Hill within the structure of a rom-com, defanging the complex sexual politics of the original text in favour of a highly marketable premise.

Sirât delivers one of the most distinctive cinematic experiences I’ve had in quite some time.