What’s immediately striking about Exit 8 is how unassuming it is, given the simple plot outline […]

Alphabet Lane is a hypnotic ode to isolation and the lengths that everyday Australians will go to just to feel normal again. 

Viewer beware: you’re in for a scare generic A24 horror flick.

When the audience is living in a crappy world with an even crappier near future on the horizon, Project Hail Mary is a warm hug fuelled with hope.

Horror, at its most existentially terrifying, is not about answers; it is about the discomfort of not having them. In trying to return to Silent Hill, the film loses its way before it even arrives.

The Secret Agent works effectively as a Brazilian period piece and acting showcase, but the script lacks the bite to make it truly gripping.

My expectations were on the ground, and now they’ve got a bit of altitude.

Now You See Me: Now You Don’t is a magic act you’ve seen before.

Oz Perkins’s Keeper is a film that wears its intentions on its sleeve: intimate horror wrapped in relationship anxiety, an exercise in dread that occasionally achieves something quietly memorable.

Shelby Oaks is a fine horror film with flashes of promise, but too many inherited ideas and not enough discernible passion.

Genre fans looking for a siege of monsters and otherworldly horrors may come away disappointed, but those looking for a more cerebral and borderline ethereal experience will likely find themselves embracing the film and its scrappy charm.

Every once in a while, a film manages to thread the needle between nerve-shredding horror and sharp, genuinely funny comedy without ever feeling forced or careless. Zach Cregger’s Weapons is resoundingly one of those rare beasts.

For those looking for horror cinema that mostly leans on the goofy side while also delivering on some serious gore, Final Destination: Bloodlines is just what the coroner ordered.

Clornfield knows exactly what it is and isn't self conscious about it, playing out like an R-rated episode of Scooby Doo, complete with some lean and mean kills […]

Mr. K is ambitious, imaginative and impressive, but the setup is unfortunately better than the payoff.

At a brisk 95 minutes, Drop is the kind of taut, grown-up genre film that feels increasingly rare.

Occasionally awkward performances and deliveries are mostly forgiven by this fine adaption of a scandalous mystery. 

Smile 2 is a worthy sequel that, while not quite as groundbreaking as its predecessor, still offers plenty of great elements.

With complex, figurative ideas, eccentric leading performances, and a tense atmosphere, Cuckoo leads with promise.

If you’re an avid fan of horror films and especially love slashers, this is the film for you; if I’m not describing you, but you’re willing to give it a shot, you’ll find a fun ride of a movie with a few laughs and thrills along the way!