Genre fans looking for a siege of monsters and otherworldly horrors may come away disappointed, but those looking for a more cerebral and borderline ethereal experience will likely find themselves embracing the film and its scrappy charm.

Every once in a while, a film manages to thread the needle between nerve-shredding horror and sharp, genuinely funny comedy without ever feeling forced or careless. Zach Cregger’s Weapons is resoundingly one of those rare beasts.

Chain Reactions is a celebration of the 50 year anniversary of The Texas Chain Saw Massacre.

If you want a reality check on the privileges usually taken for granted in life, Lucky Lu is an interesting piece of art that feels personal and difficult to go through in less than two hours.

Sarah Friedland’s […] contemplative directorial debut, Familiar Touch, [is] a delicately woven 91-minute meditation on memory, ageing, and identity.

On Swift Horses explores the intersecting relationships of its principal characters but proves too ambitious, stringing together more narrative threads than its two-hour run time can support.

For the most part […] Freakier Friday succeeds as a sequel and will delight fans both old and new.

Together explores the cracks and crevices, the dark and dirty parts of relationships, asking the questions that we’re too afraid to ask ourselves

What the actual Smurf was that?

Superman is a soaring and triumphant comic book adaptation that deeply understands its source material and unabashedly celebrates the massive heart of its main hero.

Blumhouse’s fave bratty ‘bot returns in Gerard Johnstone’s M3GAN 2.0, a sequel that swaps the eerie off-kilter vibes of the original for a broader, brasher techno-thriller.

28 Years Later clearly wants to put brains back on the menu, even if it stumbles along the way.

Unlike other live action remakes, How to Train Your Dragon is not a chore to watch. You won’t feel anything new that you haven’t already felt before from this franchise, but it’s a hell of a ride.

Celine Song’s deliciously cynical sophomore film, Materialists, follows the stylish life of matchmaker Lucy (Dakota Johnson) on her search for substance, and ultimately love.

As with any spin-off, it’s difficult not to compare what you are watching to the original; needless to say, Ballerina embraces this challenge by continuing to change the form of what we know the world to be, innovating its tropes and style.

Karate Kid: Legends is a mixed bag, but it’s enjoyable enough that it will still have audiences cheering by the time the credits roll, and kids begging their parents for karate lessons on the ride home.

Whilst certainly not as memorable as his previous works, The Phoenician Scheme still brings Anderson’s classic charm and style in spades. 

The Code is an earnestly off-kilter, free-wheeling journey down the rabbit hole.

Ultimately, Frankenhooker is the kind of film that refuses to be ignored. It’s loud, garish, and unapologetically grotesque, yet like its oddball protagonist, it manages to be weirdly endearing, despite the rampant sex and violence […]

It's clear the Philippou brothers have crafted a horror experience that doesn’t just scare - it leaves wounds. If Talk to Me was a party, Bring Her Back is a funeral. Leave the flowers at home.