Clornfield knows exactly what it is and isn't self conscious about it, playing out like an R-rated episode of Scooby Doo, complete with some lean and mean kills […]

Tall Tales might not be as grandiose as its title would suggest, but the real scale lies in its ambition.

Amarndo Iannacci and Sean Foley’s theatre adaptation of Dr. Strangelove is a fun but somewhat lacklustre spectacle.

Warfare does an incredible job of fulfilling what its creators set out to do: to present the SEALS in as authentic a way as possible, and simulate a real life combat scenario.

The conflicting adaptation of Tom Michell’s memoir, The Penguin Lessons, swerves between a lighthearted comedy and political drama.

Hard Truths is a masterclass in great writing and acting, and despite a shaky ending, still packs a huge punch.

Bridget Jones: Mad About the Boy is a tale bound to resonate with every woman’s experiences.

Bird is a visceral coming-of-age tale that soars thanks to its naturalistic approach to both performances and on-screen craft. 

Nothing in the film really ‘fails’, per se, and if there were a universal, objective checklist of things that make a Good Movie–there isn’t, by the way–The Brutalist meets them all.

We Live In Time is a contemplative and slow-burning exploration of love, time, grief, and the human condition.

Ronan never fails to execute a stellar performance, and The Outrun is no exception.

Subverting expectations and blending genres, Your Monster is an endearing love letter to the ones who’ve had their hearts broken, and gives them permission to embrace their fury. 

As the saying goes, the journey is more important than the destination, which makes it a shame that Blitz feels more like a scrapbook of contrived wartime escapades. 

Kneecap follows a fictionalised origin of the Irish rap group Kneecap, pioneered by brothers Liam Óg and Naoise Ó Hannaidh.

Memory is bleak and hopeful at the same time, anchored by two excellent performances and a tender approach that takes its subject matter seriously. It demands patience and won’t be for everybody, but succeeds nevertheless. 

Prima Facie is a play that refuses to be taken at face value.

Through the Summer of 1991 in rural Massachusetts, the unapologetic yet awkward 11-year-old Lacy (newcomer Zoe Ziegler) is entrenched in the captivating orbit of her mother Janet (Julianne Nicholson).

Timestalker tells the story of a woman named Agnes who keeps falling in love with the wrong man in several different time periods, after being continuously reincarnated.

Like its idiosyncratic subject matter, DEVO is a poignantly hyperkinetic ninety-minute examination of rock music’s most misunderstood band.

Kinds of Kindness is a film that, while not without its immature and edgy side that seems cultivated purely to provoke, leaves you thinking long after the credits roll.