What’s immediately striking about Exit 8 is how unassuming it is, given the simple plot outline […]

The Stranger exists at the razor’s edge of complacency. Ostensibly revisionist and stylistic, but also perfectly content to operate within the already existing canon of the novel, not ever straying too far or getting too experimental in its approach. 

Alphabet Lane is a hypnotic ode to isolation and the lengths that everyday Australians will go to just to feel normal again. 

Viewer beware: you’re in for a scare generic A24 horror flick.

Nteregu (a story to be sung) is not your typical documentary […]

Stephan Komandarev’s Made in EU (2025) shows the stark reality of a not-too-distant past.

If you’re into folk culture, fake dating, stunning costume designs and Hungarian dance battles, then Hungarian Wedding is most definitely the film for you. 

It’s a classic French studio comedy: glossy and taking full advantage of its setting, toothless while simultaneously somehow well-observed, and would certainly go down easy on a night out with a glass of wine.

Sirât delivers one of the most distinctive cinematic experiences I’ve had in quite some time.

Is This Thing On? ultimately finds its strength in the emotional nuance of its central relationship, anchored by convincing performances from Arnett and Dern.

The Secret Agent works effectively as a Brazilian period piece and acting showcase, but the script lacks the bite to make it truly gripping.

Marty Supreme is a bombastic and intense ride from start to finish.

No Other Choice, directed by Park Chan-wook (Oldboy, Decision to Leave), is another sharp entry in the filmmaker’s body of work, showcasing his distinctive visual style and darkly comedic sensibility.

Song Sung Blue is sure to be the crowd-pleasing film of the New Year. It really is “so good, so good, SO GOOD!”. 

My expectations were on the ground, and now they’ve got a bit of altitude.

Christy is an engaging and moving biopic about an incredible woman.

Most apparently, Hamnet is a showcase for some incredibly committed performances.

Nouvelle Vague is Linklater’s answer to the credence that all directors must one day make a film about filmmaking. This is an absurd thing to believe.

Sweet but not saccharin, Rental Family (2025) is a solid feel good film despite its slightly confused final message.

With its community-focused theme and beautiful village visuals, The Golden Spurtle documentary makes this legacy proud.