The Christophers does not have a sexy Hollywood sales angle – it’s an art forgery film, after all – but it’s further proof that we’re yet to get a clear sign there’s anything that Steven Soderbergh can’t pull off.

Representing a big step up not only in terms of its theatrical release, but also in Barker’s command of filmmaking as a visual medium, Obsession boldly stakes its claim as a true modern genre masterpiece.

As expected, it was just as poetic and articulate as you would expect from a film narrating the life of Franz Kafka. 

A Private Life is notable as the foreign language film debut of Foster, but somewhat fails to leave a lasting impact, despite many promising elements. 

Though J-Horror has a reputation for being incredibly disturbing and graphic, KINKI’s humour and brisk pace hold it back from being anything truly traumatic.

If you’re into Greek history, cultural identity, the politics of war, and hating the British, then Kapodistrias is the film for you. 

What’s immediately striking about Exit 8 is how unassuming it is, given the simple plot outline […]

The Stranger exists at the razor’s edge of complacency. Ostensibly revisionist and stylistic, but also perfectly content to operate within the already existing canon of the novel, not ever straying too far or getting too experimental in its approach. 

Alphabet Lane is a hypnotic ode to isolation and the lengths that everyday Australians will go to just to feel normal again. 

Viewer beware: you’re in for a scare generic A24 horror flick.

Nteregu (a story to be sung) is not your typical documentary […]

Stephan Komandarev’s Made in EU (2025) shows the stark reality of a not-too-distant past.

If you’re into folk culture, fake dating, stunning costume designs and Hungarian dance battles, then Hungarian Wedding is most definitely the film for you. 

It’s a classic French studio comedy: glossy and taking full advantage of its setting, toothless while simultaneously somehow well-observed, and would certainly go down easy on a night out with a glass of wine.

Sirât delivers one of the most distinctive cinematic experiences I’ve had in quite some time.

Is This Thing On? ultimately finds its strength in the emotional nuance of its central relationship, anchored by convincing performances from Arnett and Dern.

The Secret Agent works effectively as a Brazilian period piece and acting showcase, but the script lacks the bite to make it truly gripping.

Marty Supreme is a bombastic and intense ride from start to finish.

No Other Choice, directed by Park Chan-wook (Oldboy, Decision to Leave), is another sharp entry in the filmmaker’s body of work, showcasing his distinctive visual style and darkly comedic sensibility.

Song Sung Blue is sure to be the crowd-pleasing film of the New Year. It really is “so good, so good, SO GOOD!”.