Sorry, Baby is a story of someone trying to live their life as best they can.

Imagine (2025) is a collaborative animation project […] that explores layered ideologies and Indigenous wisdom through the surreal journey of a teenager.

Blue Moon is a masterclass in writing and acting, and makes for another wonderful team-up between Linklater and Hawke.

Pavements is perhaps as interesting as its subject, which is to say they’re both easy-listening encapsulations of a mentality to artistry that I hope never goes away. 

Awash with devastating candour, The Chronology of Water (2025) marks a bold and fully realised directorial debut from Kristine Stewart. 

Happyend is a visually and sonically rich experience that proves its place in the accomplished subtlety of Japanese cinema.  

Les Rendez-vous d'Anna follows the tranquil, lonely odyssey of Anna Silver, a filmmaker travelling across Western Europe to promote her new film.

it is a delight to see The Toxic Avenger uncut and in its full glory after two whole years sitting on the post-festival shelf, and if it also ends up getting more eyes on its ‘84 cousin, I'm all here for it.

Trains takes us back in time to the height of the steam train era, warts and all.

The Thread is an understated courtroom drama that is guaranteed to leave you questioning absolutely everything by its end.

This new The Naked Gun is something worth being grateful for.

A modern take on an excellent script, the Smoke and Mirrors Productions presentation of Dial M for Murder was not to be missed.

Zak Hilditch’s We Bury the Dead is a moody, slow-burning horror drama that leans into atmosphere and emotional weight over cheap thrills - and for the most part, it works.

Genre fans looking for a siege of monsters and otherworldly horrors may come away disappointed, but those looking for a more cerebral and borderline ethereal experience will likely find themselves embracing the film and its scrappy charm.

Every once in a while, a film manages to thread the needle between nerve-shredding horror and sharp, genuinely funny comedy without ever feeling forced or careless. Zach Cregger’s Weapons is resoundingly one of those rare beasts.

Chain Reactions is a celebration of the 50 year anniversary of The Texas Chain Saw Massacre.

Iron Winter highlights the hardships for Mongolian herders who will often spend months travelling through the frozen terrain to find areas for their horse herds to graze, while trying to protect them both from the weather and the wolves. 

Musicals and apocalyptic fiction don’t make for particularly common genre pairings, but in his debut fiction work, aptly titled The End (2024), Joshua Oppenheimer fuses the two to Frankensteinian effect. 

If you want a reality check on the privileges usually taken for granted in life, Lucky Lu is an interesting piece of art that feels personal and difficult to go through in less than two hours.