If you’re into lighthearted WWI films, chorals, the beauty of Yorkshire, and Ralph Fiennes’s captivating performance then The Choral is the film for you. 

Blue Moon is a masterclass in writing and acting, and makes for another wonderful team-up between Linklater and Hawke.

Pavements is perhaps as interesting as its subject, which is to say they’re both easy-listening encapsulations of a mentality to artistry that I hope never goes away. 

Musicals and apocalyptic fiction don’t make for particularly common genre pairings, but in his debut fiction work, aptly titled The End (2024), Joshua Oppenheimer fuses the two to Frankensteinian effect. 

Tall Tales might not be as grandiose as its title would suggest, but the real scale lies in its ambition.

if you’re into making a mockery of death, ethereal dancing, classical art allegories, and ‘tacky’ playlists then They Will be Dust is the film for you. 

Kneecap follows a fictionalised origin of the Irish rap group Kneecap, pioneered by brothers Liam Óg and Naoise Ó Hannaidh.

Margherita Vicario’s directorial debut is a lively feature that sings with heartfelt moments and comedic witticisms alike, pulling audiences in for a story that is nothing short of glorious.

Like its idiosyncratic subject matter, DEVO is a poignantly hyperkinetic ninety-minute examination of rock music’s most misunderstood band.

Move aside Taylor Swift. The re-release of Stop Making Sense reiterates that Talking Heads still holds the title for the best concert film ever made.

Zillion tells the story of the exhilarating rise and fall of visionary entrepreneur Frank Verstraeten, the man responsible for creating and owning – for a time – Belgium’s most chaotically electric nightclub.

A symphony of cinema, bubbling with dark and subtly thrilling emotions, elevated by an incredible lead performance and anchored by adept direction.

Summer of Soul is undoubtedly a stunning blend of art and rebellion not likely to ever be seen again on our screens.

How do you review a movie that has a complete tonal shift about halfway through without invalidating the impact of the entire first half?