This is the tension through which Jackass is at its most thematically resonant: the belief that their careers as stuntmen could end at any moment, one way or another.

The line between satire and imitation can often become blurred, but rarely does an example come around so blatantly unaware of this distinction as the latest Scream entry.

Ultimately, The Running Man (2025) is a curious beast: a film that wants to critique spectacle while indulging in it, that gestures toward emotional depth but never earns it.

This new The Naked Gun is something worth being grateful for.

What the actual Smurf was that?

The phrase gets thrown around a lot these days, but Mission: Impossible - The Final Reckoning really does demand to be seen on the biggest screen possible.

The equal helping of fights and jokes should be guaranteed to make action aficionados laugh and comedy connoisseurs flinch.

Heart Eyes is certainly a commendable addition to the horror-comedy genre, offering a refreshing take on the slasher formula without reinventing the wheel.

For the fans, Sonic 3 remixes and updates one of the most popular Sonic adventures in ways that bring a new speed to a classic narrative.

Gladiator II is an ambitious film in desperate need of a shorter run time, but elements of creativity shine through.

Smile 2 is a worthy sequel that, while not quite as groundbreaking as its predecessor, still offers plenty of great elements.

From my formerly substantial experience with the Transformers fandom I can say that this will please them, and whether you choose to interpret that as an indictment on them is up to you!

Grab your popcorn, silence your phone, and sit down for A Quiet Place: Day One - just don’t expect it to leave you anywhere near as speechless as its survivors.

Killers of the Flower Moon is not only a landmark film for Scorsese as a filmmaker but also tells the story of a horrific time in American history, surrounded in shame and regret.

Teenage Mutant Ninja Turtles: Mutant Mayhem is made with passion and love for the franchise, offering a familiar but modern perspective about a group of kids who just want to fit in and throw ninja stars.

The sheer joy of that formula, of this character, with every possible disadvantage stacked against him, saving the entire world through a motorbike cliff jump – that’s the magic of these movies.

I felt like I was losing my mamma mia-mind.

Fantastic Film Festival Australia is back in town, promising cinema without restraints.

We've gotten particularly nasty Ghostfaces two years in a row, but since their creator's passing, the actual films seem trapped in a creative rut, doomed to sacrifice the slick edge that the series was once celebrated for in service of broad appeal.

Rocketing off at a Scorsese-Esque pace, money changes hands, morals are compromised, and men get covered in explosive elephant diarrhoea, which sums Chazelle’s 3-hour epic up quite well as it is striking, explorative, inspired, and at times flat-out-hilarious.