Ultimately, The Running Man (2025) is a curious beast: a film that wants to critique spectacle while indulging in it, that gestures toward emotional depth but never earns it.

If you’re here for scale, spectacle, and a smartly realised peek into the Predator society, Badlands is a satisfying hunt.

Bugonia refuses the safety of well-worn genre fare and instead thrives in its own damp moral fog.

Imagine (2025) is a collaborative animation project […] that explores layered ideologies and Indigenous wisdom through the surreal journey of a teenager.

it is a delight to see The Toxic Avenger uncut and in its full glory after two whole years sitting on the post-festival shelf, and if it also ends up getting more eyes on its ‘84 cousin, I'm all here for it.

Superman is a soaring and triumphant comic book adaptation that deeply understands its source material and unabashedly celebrates the massive heart of its main hero.

Blumhouse’s fave bratty ‘bot returns in Gerard Johnstone’s M3GAN 2.0, a sequel that swaps the eerie off-kilter vibes of the original for a broader, brasher techno-thriller.

The Shrouds presents potential by reeling in its audience at the beginning, but then loses its grip on them far too soon.

28 Years Later clearly wants to put brains back on the menu, even if it stumbles along the way.

Ultimately, Frankenhooker is the kind of film that refuses to be ignored. It’s loud, garish, and unapologetically grotesque, yet like its oddball protagonist, it manages to be weirdly endearing, despite the rampant sex and violence […]

Ultimately, this modern update of Lilo & Stitch is a film that coasts on nostalgia.

Looney Tunes: The Day the Earth Blew Up is a delightful, high-energy adventure that stays true to the heart of what makes the franchise so beloved.

Dating and relationships, especially in the modern world, can be a real horror.

For the fans, Sonic 3 remixes and updates one of the most popular Sonic adventures in ways that bring a new speed to a classic narrative.

While Venom: The Last Dance can’t quite save Sony’s universe, it is still leaps and bounds ahead of some of its other entries.

SK Dale’s direct-to-streaming suckfest Subservience, […] dares to ask the brave question “what if we made the robot… sexy?”

It's hard to say how the film will be received by audiences now, but it is sure to have an impact.

From my formerly substantial experience with the Transformers fandom I can say that this will please them, and whether you choose to interpret that as an indictment on them is up to you!

If you’re going to see one animated robot film this spring, check out The Wild Robot.

With complex, figurative ideas, eccentric leading performances, and a tense atmosphere, Cuckoo leads with promise.