The Christophers does not have a sexy Hollywood sales angle – it’s an art forgery film, after all – but it’s further proof that we’re yet to get a clear sign there’s anything that Steven Soderbergh can’t pull off.

Steven Soderbergh continues his prolific ‘post-retirement’ run with Black Bag, a tightly-wound spy thriller that is as cleverly composed as it is devilishly paranoid.

Stephen Soderbergh […], makes a return to experimental filmmaking with Presence: a modernised ghost story serving as a deliberate subversion of the genre itself.

With far less stripping and far fewer banger tracks than one would expect for a movie about stripping, I declare Magic Mike’s Last Dance an official flop.