One Battle After Another is an instant classic: a restless, thrilling action flick that’s concerned not with some war in a fictional universe or far-off land, but an honest-to-god boots-on-the-ground war within modern America.

Even though Last Rites' final moments were somewhat heart-warming as a fan of the first two, its catharsis is wasted on something which could’ve been so much better.

Every once in a while, a film manages to thread the needle between nerve-shredding horror and sharp, genuinely funny comedy without ever feeling forced or careless. Zach Cregger’s Weapons is resoundingly one of those rare beasts.

Superman is a soaring and triumphant comic book adaptation that deeply understands its source material and unabashedly celebrates the massive heart of its main hero.

For those looking for horror cinema that mostly leans on the goofy side while also delivering on some serious gore, Final Destination: Bloodlines is just what the coroner ordered.

There is a lot to like about Sinners for any movie-goer.

If the goal of A Minecraft Movie is to entertain fans of the game and their parents while turning a profit, then based on the crowd's reaction, the movie does its job.

While it most likely won’t be regarded as a mobster classic when compared to some of Scorsese’s other masterpieces it is trying to channel, The Alto Knights is still a well-enough-made film that fans of the mobster genre will be able to glean some enjoyment from the feature.

Dating and relationships, especially in the modern world, can be a real horror.

Super/Man is a remarkably grounded and thoughtful profile of a man whom we all believed could fly – and maybe we still do.

It's interesting that for all the film's grappling with Arthur's identity crisis, Folie à Deux winds up having one of its own

This film is a functional enough directorial start for Kravitz, but Blink Twice could have used a little more time in the oven.

The result is a refreshingly modern and idiosyncratic film that feels almost antithetical to the filmic formula that the studio system often caters for, and left me excited that a filmmaker like Shyamalan is still exercising his creative hand in original and tonally ambitious ways. 

Much like its predecessor, Twisters is an exhilarating Spielbergian spectacle which showcases the sheer vehemence of nature’s fury.

There are whispers of a great movie in The Watchers, with Ishana’s directorial eye occasionally shining through the film’s middling aspects, however at present her directing style feels imitatively beholden to superficial notions of M. Night’s storytelling sensibilities, and I’d love for her to find her footing amidst the depths of the forest.

Not so much applying brakes to the franchise as it is shifting gears, Furiosa is a triumphantly Aussie blockbuster.

While The New Empire may not be exactly treading new ground, it does succeed at something that few modern blockbusters do - being fun. GxK delivers on a monster mashup of epic proportions, with a few little surprises up its sleeve and just enough creativity to inspire hope for the franchise ahead.

With its sweeping visual scope and grand approach to world building and action, Dune: Part Two is an absolutely monumental piece of sci-fi cinema. This is the kind of cinematic event that doesn't come around often, and I'd highly recommend checking it out in the biggest, loudest cinema possible.

Campy, comical, and twisted, Bottoms is an all-American teenage wet dream dripping in homoerotic high school fantasies. You’ll definitely be talking about this fight club!

Emerald Fennell’s Saltburn is a frighteningly delicious and decadent dessert, one that you immediately regret eating, but cannot get off your mind no matter how hard you try.