I haven’t seen a movie juggle the human range of emotions with such ease in years, although I can recall one movie that did it pretty well not too long ago: Paddington [1].

Shackled by crowd-pleasing and Disney-pleasing obligations, the greatest victory of the MCU’s latest is, blessedly, that it’s a Sam Raimi Film.

Set against the harsh backdrop of the Berlin Wall, Andrzej Żuławski's 1981 cult classic Possession is a genre-defying chronicle of marriage in decay.

Featuring four of Spain’s most exciting young film and TV stars, first-time director Carol Rodríguez Colas’ Girlfriends is a fresh, sincere depiction of what it means to come to terms with who you are.

The debut fiction feature from director Macarena Astorga, The House of Snails is a slow burn psychological thriller filled with twists and turns that will have you on the edge of your seat.

Petite Maman shows respect for its audience and reverence for its central themes, opting not to over-explain its time travel logic, or even bother spending too much time ruminating on whether that's actually the case. Above all, this is a story about motherly love.

Ryusuke Hamaguchi’s second feature release of the last year is a beguiling three-in-one Lego set of lean, focused short-form storytelling.

[…] If you’ve come to see the eponymous tale, you might be a little disappointed. The show often veers into the absurd and downright silly that left audiences in cackles of laughter.

Deliberate in pace yet nimble on its toes, After Yang lulls the audience into a world not too distant from the one we live in; serene and serendipitous in its own, melancholic way.

All in all, After Blue (Dirty Paradise) is a wild and weird dreamscape of a film, complete with glowing crystals, high fashion accessories, and no less than 25 mentions of the words “Kate Bush”

The kids had fun, I had fun and most importantly the Earth had fun. For at its heart, Trash with a Porpoise is a show with a purpose. Not content with the schooling system to educate our youth, performers Jemima, Joseph and Julia will not rest until every child in the metro-Melbourne area washes the hard plastic containers strawberries come in.

The Northman is an unyielding hell song of blood, dirt and firelight. Robert Eggers hasn't changed a bit and it's a blessing to us all.

Like a well thought out stage performance, Dreams on Fire aims not just to thrill, but also to move. Pulsing through its veins is a rich marriage of emotion and style, resulting in a film experience that commands attention, intoxicating the audience with an audio-visual assault on the senses.

One of the defining contentions of the film is who is justified in this situation, or rather who is the true captor and who is the true victim? Is it David, an obsessive programmer who didn’t think of the consequences of his actions? Or is it Al, a supercomputer who didn’t ask to be made but will stop at nothing to be free?

After being rejected for a “game changer” role, Nick Cage takes the job of entertaining eccentric millionaire superfan Javi (Pedro Pascal) at his birthday party in Spain. Things take an action-movie turn when the CIA recruits Nick to spy on Javi as they believe him to be an extremely dangerous cartel kingpin.

The Kardashian family makes their triumphant TV return in The Kardashians, and they’re here to pull back the curtain that was behind the curtain they pulled back for Keeping Up with the Kardashians.

I’m sure some comedians spend ages preparing for one of the biggest comedy festivals in the world. With Ross, I honestly couldn’t tell where the script ended & the improv began. That factor increased my immersion with his runaway gags tenfold […]

Bikinis were not the dress code at this event, but the queen was on full display for the whole hour during this subdued take on self-acceptance. 

I could imagine this movie disappointing many crowds: the hardcore lore-centric fans, people who loved the first one and didn’t want change, people who didn’t like the first one even least a little bit, etc. But I can assure you of two crowds that really enjoyed this movie: children (because Jim Carrey seemingly resurrected The Grinch in this performance), and me. 

In his fourth stand-up special to date, and hopefully many more to come, Jai creates a wholly unique framework of comedy that contains a masterful control of structure and tone, as well as a hilarious and self-deprecating editorial of his own life.