Pop Star Anne Hathaway is Haunted by a Slow Narrative…

Viewer beware: you’re in for a scare generic A24 horror flick.

The Drama reminds viewers that they are not what they almost did, and to give each other a chance to start over.

Marty Supreme is a bombastic and intense ride from start to finish.

Eternity is a must watch. It’s not just a great romantic comedy, but also one which has a perspective that almost none of its genre companions do.

The Smashing Machine is a star turn for Dwayne Johnson, and sadly, very little else.

Sorry, Baby is a story of someone trying to live their life as best they can.

Celine Song’s deliciously cynical sophomore film, Materialists, follows the stylish life of matchmaker Lucy (Dakota Johnson) on her search for substance, and ultimately love.

It's clear the Philippou brothers have crafted a horror experience that doesn’t just scare - it leaves wounds. If Talk to Me was a party, Bring Her Back is a funeral. Leave the flowers at home.

Warfare does an incredible job of fulfilling what its creators set out to do: to present the SEALS in as authentic a way as possible, and simulate a real life combat scenario.

Fantastic Film Festival Australia (FFFA) is back for its 2025 programming, and cinephiles with a taste for the experimental, esoteric, and independent, brace yourselves!

Though Queer has all the ingredients of a great drama, its delivery misses the mark. 

Reijn suggests that pleasure has an interstitial quality, making it neither good nor evil, only a key part of life.

Nothing in the film really ‘fails’, per se, and if there were a universal, objective checklist of things that make a Good Movie–there isn’t, by the way–The Brutalist meets them all.

We Live In Time is a contemplative and slow-burning exploration of love, time, grief, and the human condition.

In Parthenope (2024), Paolo Sorrentino explores youth, beauty, and the fleeting nature of desire, in an homage to the intoxicating allure of the Mediterranean coast, and living in the shadow of the male gaze.

Heretic is a film of two clashing identities. One is a simmering rumination on the evolution of modern day spirituality, and the other is a relatively by-the-numbers basement chiller.

Through the Summer of 1991 in rural Massachusetts, the unapologetic yet awkward 11-year-old Lacy (newcomer Zoe Ziegler) is entrenched in the captivating orbit of her mother Janet (Julianne Nicholson).

A quietly ambitious work sure to attract allegations of pretension, Raven Jackson swings big in All Dirt Roads Taste of Salt.

Director Jane Schoenbrun impresses with I Saw The TV Glow - a horror flick which is only half-scary but full heartbreaking.