Overall, Crime 101 is a welcome surprise, and a must watch for fans of thoughtful, entertaining and intelligent crime-thrillers.

28 Years Later: The Bone Temple is game-changing and glorious, making for the first great movie of 2026.

Fans of Justine Triet’s Anatomy of a Fall and Julia May Jonas’ Vladimir will enjoy After the Hunt’s refusal to do the thinking for you.

28 Years Later clearly wants to put brains back on the menu, even if it stumbles along the way.

Celine Song’s deliciously cynical sophomore film, Materialists, follows the stylish life of matchmaker Lucy (Dakota Johnson) on her search for substance, and ultimately love.

Karate Kid: Legends is a mixed bag, but it’s enjoyable enough that it will still have audiences cheering by the time the credits roll, and kids begging their parents for karate lessons on the ride home.

If you’re looking for a bit of lighthearted fun, One of Them Days is one release you won’t want to miss!

While I’m Still Here is quite simple in terms of filmmaking, it is elevated by its incredible performances, storytelling and authentic portrayal of the time period.

As I watched Kraven the Hunter, I couldn't help but reflect on my experience with the Sony universe on the whole. Is it really possible that this was ever going to work?

This film proves that the rich cinematic style of Almodóvar transcends all kinds of language barriers. 

Encapsulating the unpredictable freneticism which helped form the genesis of its namesake, Saturday Night offers a compelling, if imperfect, peek behind the veil which concealed the chaos.

While Venom: The Last Dance can’t quite save Sony’s universe, it is still leaps and bounds ahead of some of its other entries.

Colleen Hoover’s controversial smash hit novel, It Ends With Us, has just hit theatres in all its soapy Hallmark glory.

Fly Me to the Moon is a trip definitely worth taking. Audiences will come for the thrills of space, but stay for the moving and human story at its centre. Whether you’re a rom-com fan, a space nerd, or a conspiracy theorist, there’s something here to satisfy everyone.

At the end of the day this is a reasonably satisfying and serviceable entry in the series, a Jerry Bruckheimer production through and through, and possibly my second favourite behind Bad Boys II.

Making sure to cater to both returning fans and new fans alike Code: White is by no means a perfect movie, but for what it is, it remains exemplary of good old fashion family fun.

This is a fun movie. Longtime fans will probably love Ghostbusters: Frozen Empire the most, but at the end of the day, it won’t grab the imagination of any new audiences.

I had quite a good time watching Madame Web. It's just the right blend of bad and confusing filmmaking, never quite finding a happy medium between corporate meddling and the naïve misguidedness of a first time director.

Anyone But You is a modern-day adaptation of Shakespeare’s Much Ado About Nothing, with none of the charm of an adaptation like 10 Things I Hate About You (1999).

Poignant and beautiful, The Boy and the Heron is both an interesting shift in theme and an excellent addition to Miyazaki’s extensive canon.