Song Sung Blue is sure to be the crowd-pleasing film of the New Year. It really is “so good, so good, SO GOOD!”. 

Most apparently, Hamnet is a showcase for some incredibly committed performances.

The History of Sound ultimately succeeds as an elegy for bonds never granted room to flourish, and its quiet power lingers long after the frame cuts to black.

Lurker is an impressive independent film that presents itself as a cautionary tale for the modern and inter-connected world we live in today. 

Wicked: For Good is good, not great. But that’s okay - it still manages to hold space for an extremely emotionally satisfying ending.

Arriving a mere two years after the first film scared up a minor success at the box office, Scott Derrickson’s Black Phone 2 leans into its lineage and then sharpens its teeth […]

Bugonia refuses the safety of well-worn genre fare and instead thrives in its own damp moral fog.

Blumhouse’s fave bratty ‘bot returns in Gerard Johnstone’s M3GAN 2.0, a sequel that swaps the eerie off-kilter vibes of the original for a broader, brasher techno-thriller.

Unlike other live action remakes, How to Train Your Dragon is not a chore to watch. You won’t feel anything new that you haven’t already felt before from this franchise, but it’s a hell of a ride.

Whilst certainly not as memorable as his previous works, The Phoenician Scheme still brings Anderson’s classic charm and style in spades. 

At a brisk 95 minutes, Drop is the kind of taut, grown-up genre film that feels increasingly rare.

It’s a post-Bluey world and children deserve better from animated dog properties, let alone adults who might be drawn in by Dog Man’s appealing art.

Steven Soderbergh continues his prolific ‘post-retirement’ run with Black Bag, a tightly-wound spy thriller that is as cleverly composed as it is devilishly paranoid.

Bridget Jones: Mad About the Boy is a tale bound to resonate with every woman’s experiences.

As far as January horror movies go, you could do worse, but howling about Wolf Man, you will not be.

Nothing in the film really ‘fails’, per se, and if there were a universal, objective checklist of things that make a Good Movie–there isn’t, by the way–The Brutalist meets them all.

It's passionate, isolating, creepy, and more than a little sexy.

Rumours is worth commending for its sheer gaul, but ultimately, it's biting off far more than it can chew.

Rise, musical theatre kids!

With strong performances, and a compelling narrative that deviates just enough from the original, Speak No Evil is worth a hearty recommendation for fans of the genre.