Whilst certainly not as memorable as his previous works, The Phoenician Scheme still brings Anderson’s classic charm and style in spades. 

At a brisk 95 minutes, Drop is the kind of taut, grown-up genre film that feels increasingly rare.

It’s a post-Bluey world and children deserve better from animated dog properties, let alone adults who might be drawn in by Dog Man’s appealing art.

Steven Soderbergh continues his prolific ‘post-retirement’ run with Black Bag, a tightly-wound spy thriller that is as cleverly composed as it is devilishly paranoid.

Bridget Jones: Mad About the Boy is a tale bound to resonate with every woman’s experiences.

As far as January horror movies go, you could do worse, but howling about Wolf Man, you will not be.

Nothing in the film really ‘fails’, per se, and if there were a universal, objective checklist of things that make a Good Movie–there isn’t, by the way–The Brutalist meets them all.

It's passionate, isolating, creepy, and more than a little sexy.

Rumours is worth commending for its sheer gaul, but ultimately, it's biting off far more than it can chew.

Rise, musical theatre kids!

With strong performances, and a compelling narrative that deviates just enough from the original, Speak No Evil is worth a hearty recommendation for fans of the genre.

If you’re going to see one animated robot film this spring, check out The Wild Robot.

If you’re an avid fan of horror films and especially love slashers, this is the film for you; if I’m not describing you, but you’re willing to give it a shot, you’ll find a fun ride of a movie with a few laughs and thrills along the way!

The Bikeriders is a great nostalgia trip to an age of motorcycle riding that many have never experienced. But by its end, you’ll consider spending your EOFY money on a new bike—or at least a leather jacket.

Despicable Me 4 is a statement to the world of cinema. It doesn’t matter how mediocre your film is, if it has Minions… the children will come.

The Fall Guy is the rare blockbuster studio film that feels simultaneously old school and fresh in execution. It is incredibly funny, fast-paced and deeply romantic. At its core, however, the film is a love letter to the stunt community and the incredible work they do to entertain audiences.

Monkey Man tells the story of a nameless young man, referred to in the credits as “Kid” and using the self-applied alias “Bobby”, a fighter at an underground boxing ring in Yatana, as he attempts to infiltrate the ranks of the powerful upper class to enact violent revenge for the massacre of his village - a story that mirrors the Hindu epic of Hanuman, the white monkey. 

As it is, Kung Fu Panda 4 is a worthy sequel and enjoyable film, even if it doesn’t quite live up to its potential.

Everyone always asks who is Argylle, but they never ask how is Argylle? Kind of disappointing, if I'm being honest.

The Holdovers provides us with an inarguable Christmas Movie – despite its quintessentially-too-late Australian release date – that feels ready to be an instant classic.