If you love Shakira’s vocals, slow burn romances, justice, and films that encourage critical thinking, then Zootopia 2 is the film for you. 

A good historical film doesn’t need to be perfectly accurate, but it does need to portray its era with enough authenticity to spark fascination and encourage viewers to learn more.

Lurker is an impressive independent film that presents itself as a cautionary tale for the modern and inter-connected world we live in today. 

Now You See Me: Know You Don’t is a magic act you’ve seen before.

Wicked: For Good is good, not great. But that’s okay - it still manages to hold space for an extremely emotionally satisfying ending.

Oz Perkins’s Keeper is a film that wears its intentions on its sleeve: intimate horror wrapped in relationship anxiety, an exercise in dread that occasionally achieves something quietly memorable.

Ultimately, The Running Man (2025) is a curious beast: a film that wants to critique spectacle while indulging in it, that gestures toward emotional depth but never earns it.

If you’re here for scale, spectacle, and a smartly realised peek into the Predator society, Badlands is a satisfying hunt.

Die My Love excels as a showcase for Lawrence and Pattinson, two actors at the top of their A-game.

Fans of Justine Triet’s Anatomy of a Fall and Julia May Jonas’ Vladimir will enjoy After the Hunt’s refusal to do the thinking for you.

Shelby Oaks is a fine horror film with flashes of promise, but too many inherited ideas and not enough discernible passion.

Through a series of confounding creative decisions, Shell decries superficiality, yet refuses to look anything less than polished.

Arriving a mere two years after the first film scared up a minor success at the box office, Scott Derrickson’s Black Phone 2 leans into its lineage and then sharpens its teeth […]

Bugonia refuses the safety of well-worn genre fare and instead thrives in its own damp moral fog.

Life After (2025) lifts heavy in its turbulent journey through moral dilemmas.

The Smashing Machine is a star turn for Dwayne Johnson, and sadly, very little else.

If you’re absolutely craving a modern slasher, wait to stream it with friends, popcorn, and maybe a beer or two, but just don’t expect too much in the way of carnage or catharsis.

The joy of Splitsville is in watching its craziness unfold with no indication of where it’s going next, and I hope every person's first experience with it is as exciting as mine.

One Battle After Another is an instant classic: a restless, thrilling action flick that’s concerned not with some war in a fictional universe or far-off land, but an honest-to-god boots-on-the-ground war within modern America.

Even though Last Rites' final moments were somewhat heart-warming as a fan of the first two, its catharsis is wasted on something which could’ve been so much better.